>burnt chrome< is edwin james aka currogated tunnels first release on district of corruption that he held until the right label came along. edwin was determined to get this 10 minutes techno track onto vinyl without making any exceptions. soon after doc decided to sign track, richie hawtin added it to his favorites and hundreds of plays + comment.
the burnt chrome ep also features a more forward new school rave remix from doc head, aaron hedges, and simon beeston (doc / highgrade). this mix is a redux of the melodic beauty of the original with a more raw and percussive drive.

stones throw alumnus releases new full length with solid features.

tipp forever (get feeling) ... mako is very proud to introduce 5***** music from another russian dnb killer who did first cool steps in house music. kill! kill! kill!

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

limited to 300 copies on yellow vinyl!
remixes of tracks from anthony collins >dreaming of running ep<, which came out end of last year.
nina kraviz from moscow must be without a doubt the hottest producer of the moment, after her work on underground quality and rekids. she gives her own personal touch to another lonely night. get prepared to hear a lot more of her in the future!
los updates, originally from chile and now residing in spain, are close collaborators with ricardo villalobos and have released an album on cadenza. they loved bruised inside so much they offered us themselves to do a remix. thanks again jorge y loreto!

deep & dirty, soulful downbeat-electro from austria.

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.

excellent selected 6 track vinyl compilation with slamming tracks which are exclusively produced for this album. incl track from steve bug, patrick chardronnet, d julz, jay tripwire, donnacha costello...

killer deep house tune on anton zaps label.

first on decks.de!! die bondage games part 1 kommt mit vier tracks auf der techno / techhouse spielwiese, und dazu noch sehr abwechslungsreich !!

4th volume from the get a room re-edit crew. again, trevor jackson is giving his visual touch to the series. more on the 80s electro kind, but with the killer twist that builds from the original to a whole different level. niceness both for the dancefloor and for home listening.
limited to 500 handnumbered copies.

flanked by new mixes to screw with your head, monosurround - masters of maximalism - are back on vinyl for the second time on ms records. grab onto your heart, your eyes, and your ears and get ready for a new ecstatic experience in september 2010. a diamond in the rough, >all night long< - the original track from the album >hello world< - is a rare treat to have in such a vinyl collection, but a great source of inspiration, as you will see.

this is the fourth nebraska ep for rush hour. again, a strong 4 tracker. with nebraska summer lasts longer. with minor key memories he delivers four good spirited and uplifting house tracks. >this is the way< is an infectious, building disco groove which climaxes midway through. party time! the other three tracks are also fun loving, playful disco cut ups in true nebraska style that put a smile to any crowd. addictive stuff. nebrakas sound is something we cant get enough of!

this sampler, first of two, holds three tracks from the classic >spelunking< ep, which was originally released on planet e and with which he solidified his name in the scene. track a2, land of the lost dance, is an unreleased track from that era. another fine example which shows that recloose is the don of mixing funk and techno. with this compilation we celebrate reclooses early works from the late 90s, early 00s. this material is often regarded as his best. the compilation includes his best music from that period, both released and unreleased.

the cryovac machine is proud to present, for your inspection, >the musket e.p.<. cryovac is a platform to showcase the underground talent of detroits nightlife. the fifth release on the cryovac label features josh surma, a dj/producer that has carved out his own niche in the techno community. surmas surly style is a logical addition to the ever expanding family of cryovac artists!

can we do more? we are very happy to welcome back one of the guys that started it all with us in the late 90s and after some time away working on other forms of music lance desardi is back with us in full force! releasing with seasons recordings in the late 90s working under the artist name lance nuance with projects >leaving the city< & >pieces unfold<. also working along side his long time friend jt donaldson as they worked under undercover agency and released an lp titled >paper love< on the seasons recordings imprint. ld is back and get ready for this single to break dance floors in half!
enjoy the music and remember to play it loud!

eddie c comes from canada and has been enjoying house music since 1987. his refreshingly old school approach has led to some mighty fine releases over the past few years on jisco music, 7 inches of love, flashback, wolf music, need want, sleazy beats, kolour and many other top imprints earning him a well deserved and growing reputation as a top producer and dj. for his debut release on home taping he kicks things off in trademark style with the sample driven, moody groover ætell meÆ. next up he flicks the switch and whips up a stompinÆ house workout on the get-down-and-sweaty warehouse grooves of æorganizedÆ. on the flip, rising aussie house maestro tornado wallace takes ætell meÆ one step deeper into basement territory and works it into an epic nu school refix. and finally, a cheeky vinyl only hidden track ædub up the editÆ provides an essential dj tool. 100% house music from two producers on top of their game.

o.ton is still growing up! we have finally managed to get two hottest french producers, mik izif and funny ox, for this new and exclusive release on o.ton records. >run< is simply made to drive a dancefloor mad, with its lfo bassline and these steady climatic harmony loops behind. the flipside belongs to funny ox: a great and groovy remix of >run< with all it needs to keep a crowd pleased and aware. o.ton 04 is the perfect minimal techno record! but what else would you expect ... enjoy!

yore welcomes ibex to the yore family. tony ollivierra aka ibex, who is no stranger at all to the world of detroit house music, known for his outstanding releases on carl craigs >planet e< or his hot gems on 3rd ear and rushhour, returns in full effect on our 26th release. here he brings us four tracks, so deep (and yet grooving without a doubt), unique and full of class, that it still leaves us simply speechless. the music on this ep is so rich and full of musical ideaÆs, like we havent heard it since a very long time. one can tell you need history and expertise behind to drop something like this and ibex sure has what it takes. hes been releasing high quality house music since early 2000 and has been touring as a dj since the mid nineties, which all you can sense in his music. this is one of our personal favourite releases so far and we can only strongly recommend to get your copy while they last. killer ep not to be missed and already a classic today!

nice price deal !!! the first release from this imprint sees 2 refixes, art of dub (its a pitty) is a classic, with great catchy soulful vocals over a 2 step beat, which is punctuated with great sounding retro keyboard sounds, a great track to get anybody in the mood for a party. gun slinga is a seriously cool track with a wild west sound-scape, classic western movie samples over filthy bass lines makes this.

the b.t.s are a detroit deep house live act crew. this is there first release in the world. the ex-member of underground resistance, derwin hall bang the dam walls down with this groove. this remake track with the late ron banks vox sample >treat me like man< is a detroit killer! derwin had some extra production on the drums by delano smith. this track is so hot, me (eddie fowlkes) and my momma had to get this for the cityboy music. what a great track for their first release.the black exterrestrials come back with >the journey< on the flip side. this deep minimal soul house groove has that element of a underground banger with euro flavor - with lead vocal by angie sexy ass!

jakob korn, break sl, thomas froehlich, cuthead on the first release of this ambitious new label from dresden. with its foundations firmly rooted in house and open to all styles such as techno, disco and dubstep. its a small community of friends and producers, djs that meet each other the old fashioned way, the local record store fat fenders. the first release is a true house-affair. thomas froehlichs >get us< is a mysterious and breathtaking opener with beautifully plucked strings and a summerish feel. jacob korn with the surprise track on this record that combines intricate soundscapes built on an uplifting groove. this guy is on a roll! on the b-side breaks-prankster cuthead unleashes an unusual deep house study entitled >unacceptable moustache styles< before the record concludes gracefully with break sls late night jam >low light<. we ve said it before... the next generation has arrived!

this is a little beauty from claremont. the first side features la based fresh ro! (rong music), who presents us with a drifty synth/violin led summer gem that is reminiscent of loggins & messina. the flip side sees apiento & co (paul bryne from the testpressing blog) layering up guitars in a steve reich style which will sure get the goosebumps going. strictly limited to 300, limited clear vinyl 7 inch.

this album ep 12inch vinyl includes two fully danceable tracks from the withcoming album cd firm cd4 plus two very different but both brilliant remixes of >i cant be< from andre kraml and justus koehncke.

get ready for some heavy bass infusion. those who witnessed the infamous audio injection vs. drumcell collaborative 6 hour set at berghain in may could sense the raw and direct path of the uncompromising heavy bass-lines they walk on, yet they possess a subtle sensitivity making this audio experience a physical and mental journey at the same time. with his first ep on electric deluxe, audio injection captured this dark and raw spirit in a perfect way. his tracks move effortlessly from percussive high hat funk to heavy bass-line assault, call it techno coolness. all tracks are dancefloor focused, but contain a healthy dose of weirdness, giving the them longevity while still being functional, spot-on material for the floors typical for electric deluxe releases. the vinyl version of >operation a< is being accompanied by a none other than speedy j himself. the remix has his signature flow, shifting, rich soundscapes layered over a forward bassline sketch. music for minds in dark places.

sascha dive has been successful both as a producer, and as a dj. when you talk with him about club music, and in particular house music, you almost get the impression of talking to a human encyclopaedia. his expert knowledge combined with his definition of contemporary club tunes makes his sets a unique experience. he takes the audience on a trip towards the future and the past, and at the end of the night gently back into the here and now again.

bla bla is back with 2 oldies. k-hand and eddie richards. flash back back from the early 90s and someday from the beginning of 2000. with new analog masters/ mixdowns. 2 incredible rmx s by julien chaptal and e-contact. so get your asssssss on the dancefloor because you won t sit still.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

hailing from leipzig in germany is an artist whos music has been pricking up many ears across the global underground over the last few years. its hard to put a finger on what it is about kassem mosses productions that make repeated listening a must, but the intricacy, fresh arrangements and musical depth definitely play a part in attracting labels such as the highly respected techno imprint workshop, the legendary soma records and now nonplus are honoured to present his latest 12 inch. a) kassem mosse – >we speak to those< first up on the a-side we have >we speak to those< a 4/4 track of the highest quality that keeps you guessing from start to finish. the rugged and raw kick and bassline immediately set the foundations for the incoming awkward chord stabs whilst reversed beats lazily slur in and out over the main groove giving the track the unnerving feeling that its almost changing tempo. random sound effects and a non conforming arrangement make this track about as predictable as the english summer. one listen to this and youll immediately understand why this artist is getting love from some of the scenes biggest players at the moment. aa) kassem mosse – >hi res< phased drum machine breakbeat patterns and stutered percussion redolent of the early detroit techno uprising give this track an outstanding quality of being able to conjure up the same feelings of hope and optimism for electronic music that the aforementioned era managed to. thought provoking chord progressions take your mind on an excursion to the future and leave you gagging for an extended trip. think skyways, flying cars and towering metal buildings footed with dark abysmal underworlds and youll get the drift. they don t come much deeper than this one

funky tech house two tracker

this summer seems to be the return of fabrice lig with his album on fine art, 12on r&s and this great third ear release with remixes by... underground resistance timeline (mike banks and jon dixon), luke slater, marco passarani and fluxion! slater delivers hot techno action... peak time big room sound that will get the hands up, nice job! ur delivers the hi-tech soul techno and is unique and special as always. passarani delivers some old school detroit influenced beats refering to the hay-days of kms and kevin saunderson. could easily be our favorite mix on this 12! fluxion drops some smoking hot dubby techno. total winner remix package!!

what an absolute stormer, for those of you who have never heard this record, get ready to be blown away. initially out in 1992 inner citys pennies from heaven was just the most perfect house anthem, i think it was kevins tunnel mix which was the killer mix, here it has been strung out just a little by the slow to speak people. all the crucial elements are still there, amazing vocal, the most uplifting of pianos, ridiculously simple yet deadly bassline and fantastic crisp garage beats. really they dont get much better than this, watch em go on nye when you drop this. awesome!

hypnotize to mesmerize. thatÆs always been mark eÆs thing. enjoying a sterling reputation as an editor as well as establishing his own label merc with a string of well made 12inches and two dope compilations, the man from birmingham complements our little label again with some original productions. starting with out with nobody else, mark puts love on top of love. unfortunately for you - and good for us - you have to fetch a second copy to go back and forth with the weighty bonus beats. flip side: the wolf is a murky trip into classic cavernous house music with a bottom-heavy ruffneck sound and an attention drawing siren. that alarm bell is also included in a minute-long extra fx section and for those that cannot get enough, seeks and ye shall find a locked-groove. people who like to carry their record collection around on a hard-drive, will also be pleased to know that there is an additional track to be found on the digital release (no locked grooves there, were afraid). its a contemplative force called stoneleigh express. e is for earthquake!

accompanying the miraculous larj edition by arto mwambe, this piece of vinyl features two of the previously unreleased trinkets that were shining through their unconventional narrative of an arto mwambe live set. you get their typical fudge and the duos crush on melodies with duster fc, while one lonely knight can easily be interpreted as a bow to another convincing pair: paris grey and kms wouldnt feel out of place here...

trans air / caliypso, soca & reggae-fied versions of disco hits / feat. billie cole, tappa zukie, gerard pj browne, the star beams, casual t, eddie & the moment, mucho plus, wabine, oluko umo, el cid, bobby ravern and okyerema asante..

brandnew album of full analogue techno house killer tracks! hammered / loved by : marcel dettmann, len faki, ivan smagghe, laurent garnier, seth troxler, troy pierce, phil kieran, perc, de:bug, groove mag, chris liebing, butane and many others ! !!

limited 2010 repress !!! >most of all< sees morgan aiming for the deeper end of the ital-disco scale, with jeremy greenspan s smooth vocal backed by great italo keys, a bouncing analog bassline, and tight beats. along with an instrumental take of >most of all< on the flip comes >skyblue pink<, a slightly angular, atmospheric late night cut for the leftfield headz to get to grips with, combining sprase metallic beats and textured italo keys. tracks: most of all/ most of all (instrumental)/ skyblue pink

over its brooding, swelling chord rattles, what sounds like a flock of hihats each pushing every possible combination of rhythm to occupy the high frequencies of your hearing range.

following his remix of marco resmanns >i will love< feat. mz sunday luv we are now proud to bring you emerson todds first release on upon you. born in new zealand but living in australia his various releases on cocoon, get physical, dirty bird und modular made us love him and now hes bringing the goldrush to us. not only because his tracks are always stable investments in the tech-house area but also because the title of the a1 track eureka goes back to the days of the australian goldrush. but the other side of the coin isnt made of cheap tin either. counter point keeps on digging on b1 looking for the buried acoustic treasure and vertigo shimmers mystically on b1. if you listen indepth to eureka and counter point you will find some great vocals by mey.

this is the first release of hugos new imprint goodvibe records. the bright side is the beginning of a new journey for hugo and his siblings, 3 tracks produced by hugo and one fat remix produced by format b:. contrary forces are interconnected and interdependent in the natural world, they give rise to each other in turn. frankie knuckles once made a comparison of house music saying it was like church for people who have fallen from grace and marshall jefferson compared it to old-time religion in the way that people just get happy and screamin. the bright side is a new-time prayer in the way that the fallen just get happy and screaming. enjoy!

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

here we go again.now, strictly chosen invited terje bakke. the young producer from norway surprised us with three interesting groovy tunes and now we re proud to present his debut-ep on striclty chosen! chere madame: simple beat, surrounded by a groovin, subtil melody. the hypnotic vocalpart round off the package! horsel: drivin rythms, will make you go wet on the dancefloor, get in touch with the fresh bakkesound! coolcat (dub): hear the dubby housegroove and feel the smile on your face. chilled tunes, ready for the beach, relax and listen

underground-enterprise sub bubble offer up this first and very promising release from new signings matt williams & bahar canca. the writing/ production duo behind the original instrumental >latek< have re-worked and re-named this underground monster into the diamond encrusted house-crossover (we hope) is now pounding your subs. by bringing in the vocal talents of one mrs. graciela rodriguez whos fans include bjork and adrian sherwood, canca & williams have harnessed the spanish fire of rodriguez and taken the track to the next levelà now with a feisty latino twist we are certain the mainstream is next to fall to the floor. dr kucho! the >indisputable king of spanish house< (dj mag) with over 200 releases under his belt brings a twisted vocal and dub slant on the tracks solid house credentials. funkin with the original and delivering a slab for the jocks n jock-etes to get their needles and dials round.

in recent years lil silva has been responsible for some of the uks biggest underground bangers, with his uniquely stripped-back, heavyweight style blending jacking house with the raw sonic energy of 1st generation grime.
following up on his ltd white label release in april, night slugs are proud to present night skanker, lil silvas iconic new ep.
the four melodic, synth-laden tracks are typically raw and grimey but also run deeper with a newfound luminescence. constructed from a robotic new sound palette, silvas tuff flange-funk drum programming and twisted carnival rhythms are permeated by razor-sharp neon synths, jacking cowbells, massive slabs of sub bass and even silvas own sampled vocals. these are industrial-size riddims for worldwide dancefloor demolition!

from californias underground scenes and dicey juke joints, to big stages and international tours, angel city outcasts have come to be known as a unique and imaginative entity that continues to win over fans from allover the world. kicking ass and taking names while shrouded in myth and lore, angel city outcasts is the clint eastwood of rock bands!

hideout presents the first collaboration with nyc producer manik, the harbin ep. four summer tracks that bring oldschool house vibes into the future. manik already had a great production year with labels such as ovum, poker flat, four twenty ...
here he delivers four killer tracks full of soul and deep vibes. >forge< is the ideal house track for endless summers, best experienced dancing on a beach with a mojito spilling from your hand. classy string break, bouncing latino vibes all that you need for a night by the pool. >harbin< reminds us of evenings spent at the beach with its classy house chords and saxophone, while >peach tea< will quench your thirst of new music with subtle glide synths and atmospheres. >that is< finishes the ep with dry beats, detroit style stabs and 303 bleeps. in order to find more about manik , you can always check the brand new hideoutmusic.net web site, tap into the international hideout style detector and get to know the crew.

ndatl continues with a new amazing song created by the minds of justin chapman & terrance downs. the original catches you with its stand up bass & latin rhumble, while mr chapmans guitar serenades you. then terrances vocal then brings a whole other dimension to the song. then dj spinna get his hands on it and lets his galactic soul tranform i got life into a deep floor burner. and if that wasnt enough two crazy dubs by spinna & kzr!

when being into collecting records for more then 20-25 years there is not much left that can be considered the holy grail of house music... so we wont call this a holy grail. however for us its a track which was impossible to find because it was simply not released! only a hand full white labels on dj international have been floating around, but it never got a proper release. finally we managed to get the rights and more important a proper old recording of sterling voids instrumental version of serve it up. his first ever recording done in chicago, 1987!